Saturday night in Roig Arena felt less like a concert and more like a declaration. Two of Spain’s most beloved rock institutions — La Fuga and Benito Kamelas — stormed the stage together on March 7th for a night that celebrated the enduring power of rock nacional. And judging by the roar inside the arena, the message was clear: Spanish rock is very much alive. The show took place inside one of Valencia’s newest cultural landmarks. Opened in 2025, the Roig Arena is a massive multi-purpose venue capable of hosting up to 20,000 spectators for concerts, equipped with cutting-edge screens and technology designed to turn every performance into a full-scale audiovisual experience. Opening the night were local heroes Benito Kamelas — a band that has spent decades carving their name into the fabric of Spanish rock. Formed in 1997, the group built their reputation on what they proudly call “rock de barra” — raw, honest rock and roll rooted in working-class storytelling, big choruses and songs that feel made to be shouted back from the crowd. And in Valencia, they didn’t need to work hard to win the room. From the first chords, the atmosphere inside the arena felt like a hometown celebration. Fans sang every word of songs like “Resiliencia,” “Lola,” and “Mi Playa Azul,” turning the performance into a massive communal choir. Frontman Quini — charismatic, passionate and completely at home in front of his own people — delivered every lyric like it mattered. And judging by the raised fists and glowing phone lights across the arena, it clearly did. There was something powerful about seeing a band that built its following in bars and small clubs now commanding a huge modern arena in their own city. It felt less like a victory lap and more like a reaffirmation: this music still belongs to the people who grew up with it. If Benito Kamelas warmed the crowd, La Fuga detonated it! For more than two decades the Cantabrian band have been one of the defining names in Spanish rock, building a catalogue of anthems that combine gritty storytelling with soaring choruses. Their appearance in Valencia came during the promotion of their latest album Justo después del silencio , released in 2025 and packed with new material alongside the band’s classic repertoire. From the moment they hit the stage, the energy level shot through the roof. Guitars roared, drums thundered and thousands of voices joined in for the songs that have defined the band’s career. La Fuga have always had a knack for writing songs that feel personal yet universal — tales of struggle, love, rebellion and the small victories of everyday life. Live, those songs become something bigger. Inside the arena they transformed into collective catharsis. The concept behind the night was simple but powerful: two bands from the golden generation of Spanish rock sharing the same stage in a celebration of the genre’s enduring legacy. No gimmicks. Just guitars, sweat and songs that have survived the passing of decades. That authenticity is precisely why both bands have endured. While trends come and go, La Fuga and Benito Kamelas have stayed loyal to the same formula that made fans fall in love with them in the first place — emotional honesty, powerful melodies and lyrics rooted in everyday life. As the night reached its climax, the Roig Arena felt less like a brand-new venue and more like a cathedral for rock and roll.Two thousand of fans, young and old, singing songs that have followed them through different stages of life. Friends with arms around each other. Parents introducing their kids to the music they grew up with. Moments like this remind you why rock music still matters. Because beyond the amps and the lights, it’s about connection — about shared memories and collective energy. And on March 7 in Valencia, La Fuga and Benito Kamelas delivered exactly that. A night of pure rock nacional. Loud, proud and very much alive. Words and photos: Rhyan Paul

Spring in Valencia means one thing for music lovers: the return of Deleste Festival , the city’s longest-running independent music festival, which lands once again in the lush surroundings of Jardines de Viveros on 22–23 May . Now celebrating its 14th edition , Deleste has built a reputation for delivering world-class artists in an intimate, fan-friendly setting where every concert can be enjoyed without schedule clashes. ( delestefestival.com ) Unlike sprawling mega-festivals, Deleste thrives on simplicity: one carefully curated programme, a relaxed atmosphere among the palm trees, and a line-up that blends international icons, cutting-edge alternative acts and emerging talent. And for 2026, the final line-up promises two nights packed with serious musical firepower. The festival opens with a night that leans heavily into electronic innovation and alternative edge. Headlining Friday are Norwegian electronic pioneers Röyksopp , bringing a special DJ set that dives deep into the duo’s influential catalogue and club-ready soundscapes. Since the early 2000s they’ve been a defining force in European electronic music, and their appearance adds a major dancefloor moment to the festival. Joining them is Berlin-based electronic visionary Apparat , whose immersive live shows fuse experimental electronics, orchestral textures and haunting vocals. Expect a cinematic experience that transforms Viveros into a glowing sonic landscape. Also on Friday: Holy Fuck – the Canadian electro-rock chaos merchants known for explosive live improvisation. Billy Nomates – razor-sharp post-punk and socially charged songwriting that has become one of the UK’s most compelling underground voices. It’s a night built for restless ears—part rave, part art-rock fever dream. Saturday shifts the focus to towering alternative icons and atmospheric live acts. Topping the bill are Scottish legends Primal Scream , a band whose genre-bending career has stretched from indie pop to psychedelic rock and dance-floor euphoria. With classics from across their catalogue, they promise one of the weekend’s most anticipated sets. Also on Saturday: Kerala Dust – hypnotic electronic grooves fused with bluesy guitars and late-night atmosphere. Anna Calvi – the British art-rock powerhouse whose dramatic guitar work and intense stage presence have made her one of the most captivating performers of her generation. Los Invaders – representing the Valencian scene with their high-energy indie-electro sound. The Molotovs – rising UK rock newcomers delivering raw youthful energy. Between sets, DJs including Mateo Cabero, ME DJ, Miss_Tra and Toxicosmos will keep the atmosphere buzzing throughout the night. What makes Deleste stand apart is its philosophy: no overwhelming crowds, no overlapping stages, and a carefully balanced programme that allows fans to experience every artist. The festival blends international names with national and local talent, creating a line-up that feels both global and distinctly Valencian. Set among the leafy paths of Viveros, with food, drinks and the warm Mediterranean evening air, Deleste is less about chaos and more about immersion—a weekend where the music takes centre stage. Two nights. Nine bands. One of Valencia’s most beautiful venues. May can’t come soon enough! For tickets and more information: Deleste

Summer in Valencia doesn’t truly begin when the temperature rises — it begins when the lights come on in the trees at Jardines de Viveros. And in 2026, the moment arrives once again with the return of the beloved open-air concert series Nits de Vivers. For several magical nights, one of the city’s most beautiful green spaces transforms into a meeting point for music lovers, food enthusiasts and anyone who understands that some concerts are meant to be savoured slowly — under the sky, with friends, surrounded by the quiet rustle of summer trees. This isn’t your typical concert series. Nits de Vivers has built its reputation on atmosphere as much as music. The concept is simple but irresistible: live music, great gastronomy and a relaxed open-air setting , all woven together in a way that feels less like a gig and more like a summer ritual. And this year, the opening night promises to set the tone perfectly. Kicking off the 2026 edition on May 28 , Spanish rock favourites Sidecars take to the stage to present their new album Everest . With nearly two decades of career behind them, Sidecars have grown into one of Spain’s most dependable and beloved rock bands. Their songs — melodic, heartfelt and built for singing along — have filled arenas across the country while maintaining the emotional honesty that made fans fall for them in the first place. Live, the band have a reputation for turning concerts into shared emotional journeys: big choruses, heartfelt lyrics and that rare sense of connection between artist and audience. Despite its towering name, Everest isn’t about conquering peaks. It’s about the climb — the songs that soundtrack life’s highs and lows, the moments that linger long after the final chord fades. Those themes feel particularly fitting for an outdoor show at Jardines de Viveros, where music drifts into the night air and every lyric seems to travel a little further. Hearing those songs beneath the Valencian sky, surrounded by trees and summer energy, is exactly the kind of experience Nits de Vivers was created for. For many in Valencia, Nits de Vivers marks the unofficial beginning of the season — the moment when evenings stretch longer, the city slows down and live music takes centre stage. With more artists still to be announced and the promise of unforgettable nights ahead, the 2026 edition is already shaping up to be another highlight of the city’s cultural calendar. But it all begins with one night - May 28 - Sidecars - Music under the trees. For tickets and more information: Nits De Vivers

Two powerhouse voices, two complete repertoires, and one night designed to celebrate the strength, soul and fire of women in rock. On March 21, Loco Club in Valencia hosts a special stop on the electrifying Chicas Fuertes Tour , bringing together two formidable artists: Nat Simons and Aurora Beltrán. This is not a quick double bill or a polite acoustic evening. It’s a full-blown celebration of rock songwriting across generations — with both artists delivering complete sets of their own material in a show that promises emotion, attitude and serious musical horsepower. Nat Simons has built her reputation as one of Spain’s most compelling contemporary rock voices. Blending classic Americana, gritty rock and deeply personal songwriting, Simons channels influences from the golden age of guitar-driven music while carving out a fiercely independent sound of her own. Her songs balance vulnerability with defiance — the kind of music that feels equally at home in a dusty desert bar or blasting through festival speakers at sunset. Live, Simons is magnetic: part storyteller, part rock preacher, delivering songs that hit with emotional precision while still packing a punch of raw guitar energy. Sharing the stage is an icon of Spanish rock: Aurora Beltrán. Known to many as the legendary voice behind the influential band Tahúres Zurdos, Beltrán has spent decades shaping the sound of Spanish rock with her unmistakable voice and powerful songwriting. Her songs carry the weight of experience — introspective, poetic and emotionally resonant — yet delivered with the conviction of an artist who has never softened her edge. Beltrán’s stage presence remains commanding: warm, wise and fiercely authentic. The Chicas Fuertes Tour isn’t just about sharing a stage. It’s about celebrating strength, solidarity and the creative power of women in rock music. Across the night, both artists will perform full repertoires , giving fans the rare opportunity to experience two complete musical worlds in a single concert. Expect powerful songwriting, soaring vocals, guitar-driven moments and intimate passages where the songs breathe and connect directly with the audience. It’s a format that feels generous and celebratory — less like a typical tour stop and more like a gathering of musical allies. Few venues in Valencia offer the kind of atmosphere that Loco Club delivers night after night. With its reputation for excellent sound, passionate crowds and close connection between performers and audience, it’s exactly the sort of room where a show like this can thrive. Expect the kind of concert where every lyric lands, every guitar note cuts through the air and the audience feels like part of the performance. Whether you come for the modern Americana swagger of Nat Simons or the legendary voice and songwriting legacy of Aurora Beltrán, this promises to be one of those evenings where two musical worlds collide in the best possible way. On March 21, Valencia gets a reminder that rock and roll still has plenty of powerful voices — and many of them belong to women who have never needed permission to be loud. For tickets and more information: Loco Club

On March 21, something quietly monumental is set to unfold in Sala Moon. No gimmicks, no nostalgia circus — just songs that have travelled half a century and still hit like a confession whispered too late at night. Quique González arrives in Valencia with 1973 , the album that finds one of Spain’s most revered songwriters looking back, looking forward, and somehow making both directions feel like the same road. For more than two decades, González has built a reputation as the poet laureate of Spain’s late-night highways — a songwriter steeped in rock, folk and americana who writes about broken friendships, fragile love and the strange dignity of people trying to hold their lives together. His songs feel lived-in. Weathered. Honest. 1973 — named after the year he was born — plays like a personal map of memory and identity. The record carries the dusty warmth of classic rock storytelling but with González’s trademark emotional precision. It’s reflective without ever drifting into nostalgia, sharp without losing tenderness. And live, that tension between grit and grace is where the magic really happens. Inside Sala Moon’s cavernous yet intimate space, González’s songs tend to breathe differently. Guitars ring a little louder, the silences between lyrics stretch just enough to pull the crowd deeper into the stories. His concerts aren’t about spectacle — they’re about connection. About the strange electricity that happens when a room full of people recognise themselves in the same line of a song. Expect the new material from 1973 to sit shoulder-to-shoulder with the songs that made González one of the most respected voices in Spanish rock songwriting. Expect the crowd to sing every word. Expect moments of quiet so complete you could hear a guitar string resonate across the room. And expect the unexpected emotional sucker punch — the kind González has been delivering for years. For tickets and more information: Quique González

February 28th, 2026. Madrid. A sold-out pressure cooker inside Wagon — formerly LabClub, now reborn as a concrete bunker for the beautifully unhinged — and thirty years after Alzheimer first detonated in the Spanish underground, Def Con Dos returned to perform the album in full and much more! Not a polite anniversary, not a heritage lap of honour, a riot with a memory! The setlist read like a manifesto. “Sintonía (Bienv. al Alzheimer)” cracked open the night like a crowbar to the skull, and suddenly we weren’t in 2026 anymore — we were back in the feral mid-90s, when rap-metal in Spain wasn’t a genre, it was a Molotov cocktail. César Strawberry — ringmaster, provocateur, poet with a megaphonic voice — stalked the stage like a man allergic to restraint. Within minutes he was leaning into the front row, veins popping, eyes blazing, spitting “Alzheimer” with the same venom that made it a generational slap in the face three decades ago. And then — because of course — he launched himself into the crowd - César Strawberry, crowdsurfing at 30 years deep. No irony. No safety net. Just bodies lifting him like a revolutionary relic refusing to fossilise. This wasn’t a nostalgia cash-in. This was a fully loaded unit. César Strawberry on vocals — still sharp, still dangerous. Mara Gilbert, vocals blazing with razor precision and swagger. Samuel Barranco adding grit and dynamic firepower. Kiki Tornado on drums — a human jackhammer, relentless and tight. J.Al Andalus anchoring the chaos with seismic basslines.Alberto Marín shredding on guitar with surgical aggression. And then the moment that tipped the night into legend: Juanjo Malafé — original guitarist from the Alzheimer era — stepping back into the fold. Not just a cameo. Not just one song for the cameras.The whole set. Thirty years collapsed into ninety sweat-soaked minutes as Malafé ripped through every track like he’d never left. History wasn’t referenced — it was plugged in and turned up to eleven. The crowd? Unreal. Sold out days in advance. A cross-generational mob: original ’90s disciples shoulder to shoulder with kids who probably discovered Alzheimer via streaming algorithms and political memes. They knew every word. “Pánico.”“Niño A, Niño B.”“Victoria.”“Acción Mutante.”“Zombi Franco.”“Armas.” The pit swirled. Beer flew. Strangers screamed lyrics into each other’s faces like therapy with distortion pedals. By the time the BIS section landed — “Los Reyes,” “Demasiado Humano,” “Ayatolah,” “España es Idiota”, “El Cazador de Elefantes,” and the gloriously unfiltered “Qué Dice La Gente” — Wagon had become less a venue and more a collective exorcism. Behind the band, Álvaro Voodoo’s animated visuals pulsed and detonated in perfect sync with the sonic assault. Twisted graphics, hyper-saturated satire, political hallucinations and comic-book dystopia flickered across the screens. It wasn’t background decoration, It was a weapon. The visuals amplified the absurdism, the rage, the biting humour that has always defined Def Con Dos. They turned the stage into a multimedia warzone — satire weaponised in neon. For those who need reminding: Def Con Dos emerged in the late ’80s as Spain’s most irreverent collision of hip-hop, hardcore, metal and savage social commentary. They were never polite. Never neutral. Never safe. They built a career on provocation, absurdism and calling out hypocrisy with a grin and a flamethrower. Thirty years after Alzheimer , they sound tighter, louder and more relevant than most bands half their age. When the final notes rang out and the lights came up, nobody moved. Shirts soaked. Voices shredded. Grins everywhere. This wasn’t just an anniversary show. It was proof - roof that satire ages better than complacency. Proof that rebellion doesn’t need Botox.Proof that Def Con Dos aren’t a museum piece — they’re a live wire. Madrid got the full memory blast.And if this was a lesson in anything, it’s this: Some albums don’t fade. They mutate. For more information: Def Con Dos Words and photos: Rhyan Paul

Spanish pop-rock heavyweight Dani Fernández is set to take over Roig Arena on March 20, 2026, as his explosive Insurrección Tour rolls into Valencia for what promises to be one of the city’s biggest live music events of the spring. With a career that has grown from teenage pop beginnings into one of the most respected voices in modern Spanish pop-rock, Fernández arrives riding a wave of massive popularity and a catalogue packed with stadium-sized anthems and emotionally charged songwriting. This tour isn’t just another run of shows — it’s the live embodiment of the powerful musical identity Fernández has built over the past few years. For many fans, Dani Fernández’s story is one of constant evolution. First stepping into the spotlight in the early 2010s, he gradually transformed himself from a pop idol into a songwriter capable of blending introspective lyrics with powerful rock-leaning arrangements. That transformation reached full force with the success of albums like Incendios and Entre las dudas y el azar, records that cemented him as one of the leading figures in Spain’s modern pop-rock landscape. His songs combine emotional vulnerability with anthemic hooks — the kind that audiences instinctively sing back at the stage. And it’s precisely that connection with fans that has turned his concerts into full-throttle communal experiences. The Insurrección Tour represents the next step in that journey. Drawing from the spirit of his recent creative era — what Fernández refers to as “la jauría,” a community of fans and followers who connect deeply with his music — the show is built around the idea of collective energy. Rather than simply performing songs, Fernández’s concerts aim to create a sense of shared rebellion through music: voices rising together, emotions spilling into choruses, and moments where thousands of people sing the same lyrics at once. Expect a setlist that spans the biggest songs from his catalogue alongside newer material that continues to expand his sound — soaring pop-rock arrangements, dramatic crescendos and the kind of heartfelt ballads that have become a trademark of his live shows. Hosting the concert is the impressive Roig Arena, one of the newest and most technologically advanced venues in Spain. Designed to host large-scale concerts and major events, the arena offers a massive stage production capability that perfectly suits the ambitious visual and sonic scope of Fernández’s tour. With high-end sound systems, huge screens and space for thousands of fans, the venue will provide the perfect backdrop for the high-energy atmosphere that the Insurrección Tour promises to deliver. For Fernández’s devoted fanbase — affectionately known as “La Jauría” — the Valencia date is shaping up to be a major gathering. These shows are famous for their emotional intensity, with audiences singing along to every lyric and creating an atmosphere that feels closer to a celebration than a traditional concert. And with Roig Arena set to fill with thousands of voices on March 20, the energy promises to be electric. One thing is certain: when Dani Fernández steps onto that stage in Valencia, it won’t just be another stop on a tour. It will be a night where an arena becomes a chorus! For tickets and more information: Roig Arena

March is shaping up to be a full-throttle month at 16 Toneladas in Valencia — a venue that has built its reputation on sweat-soaked gigs, genre-hopping line-ups and the kind of nights where rock, punk, soul and garage collide in glorious noise. If you like your live music loud, unpredictable and dangerously close to the stage, this month’s programme reads like a rock ‘n’ roll survival guide. From legendary Spanish rockers to international garage heroes, underground punk chaos and dancefloor soul, March at 16 Toneladas is a marathon of guitars, groove and late nights. The month kicks off with a blast of Spanish rock history when Los Rebeldes roll into town on March 1. For decades they’ve carried the torch for classic rockabilly and rhythm & blues in Spain, and their live shows remain a celebration of leather jackets, sharp riffs and songs that refuse to age. Later in the month, the legendary UK punk institution GBH arrives on March 13 alongside Deaf Devils and Matarte Sería Poco for a night that promises nothing short of pure hardcore mayhem. And for fans of international indie rock with a sharp edge, March 15 brings the unmistakable sound of The Wave Pictures — a group beloved for their witty songwriting, jangling guitars and cult following across Europe. One of the most exciting nights on the calendar arrives with the Iberian edition of The Hawg Allnighter — a late-night garage and rock ‘n’ roll celebration that promises spinning vinyl, vintage sounds and a crowd ready to dance until the early hours. Elsewhere, acts like Total Chaos and Jawless bring pure punk ferocity to the stage, while nights featuring Dharmacide and Calivvla push into darker, more psychedelic territory. 16 Toneladas has always championed artists from across the Spanish underground scene, and March continues that tradition with appearances from bands like Los Premios, the irreverent and theatrical Orkesta Paraíso and rising garage rock outfit Los Acebos. There’s also space for genre-blending shows like the Metal Mareny showcase featuring Levitatán and Sagrat, and dance-driven nights such as the Watusi Dance Party with Kid Congo & The Pink Monkey Birds bringing swampy garage grooves to the floor. Few rooms in Valencia feel as purpose-built for live music as 16 Toneladas. Dark, loud and gloriously intimate, the venue has become a cornerstone of the city’s alternative music scene — the kind of place where you might see a punk legend one night, a soul revue the next and a garage rock DJ marathon before the week is out. With gigs running deep into the night and the promise of “rock & roll y copas hasta las 6:30h,” March looks less like a calendar and more like a challenge. For fans of raw live music, it’s simple:Clear your schedule. Pace yourself. And keep your ears ringing. For tickets and more information: 16 Toneladas

Tucked into the winding streets of the historic Barrio del Carmen , Peter Rock Club continues to prove why it’s one of the most versatile and energetic live music venues in Valencia. Known for its eclectic programming — spanning rock, swing, pop, DJ nights and cultural events — the club has built a reputation as a place where almost any night of the week can turn into something memorable. March 2026 is no exception. The month brings a whirlwind of styles and scenes, from politically charged rap-metal to Latin pop superstars, swing dance afternoons and late-night global dancefloor chaos. Things ignite on March 6 when XpresidentX storms the stage alongside Radity. XpresidentX arrive armed with their razor-sharp new album Garrote Vil , bringing a volatile mix of rap, metal and savage political satire. Known for their blistering live shows and biting social commentary, the band has built a reputation for performances that are as confrontational as they are entertaining. With Radity delivering their own blast of modern rock energy, this double bill promises a night of sweat, guitars and crowd-shaking intensity inside one of Valencia’s most intimate live rooms. Just one night later, March 7 sees the venue shift gears dramatically when Venezuelan pop duo Mau y Ricky take over the stage. The Grammy-nominated songwriting brothers — responsible for chart-smashing hits like “Desconocidos” and collaborations across the Latin pop world — bring their polished, hook-filled sound to Valencia for what promises to be a high-energy sing-along show. With millions of monthly listeners and a global fanbase, their appearance transforms Peter Rock into a pop hotspot for the evening. Sunday March 8 offers a completely different experience with Lindy Hop Sunday — a daytime swing celebration that turns the club into a dance hall. Starting from midday, the event combines brunch, drinks and vintage swing rhythms, inviting dancers and newcomers alike to fill the floor with spins, smiles and pure old-school energy. Expect classic swing sounds, plenty of Lindy Hop footwork and a crowd united by the simple joy of dancing. Later in the month, March 14 brings the voice of Spanish rock when Razkin takes the stage. Formerly the frontman of La Fuga, Razkin has spent years carving out a successful solo career built on heartfelt rock songwriting and powerful live performances. With hundreds of concerts behind him, his shows balance emotional lyrics with stadium-sized choruses — the kind that feel especially powerful in a packed club environment. The month closes with pure party energy on March 27 , when the ATR Party transforms Peter Rock into a global dancefloor. Expect a wild fusion of cumbia, reggaeton and Latin urban rhythms , with DJs spinning everything from classic old-school reggaeton to the latest club anthems. The event promises giveaways, heavy bass and a crowd that refuses to stand still — turning the venue into one of the city’s liveliest late-night hotspots. What makes Peter Rock Club special is its refusal to be defined by a single genre or scene. One night you might find hardcore rap-metal shaking the walls, the next a swing dance party, and the next a Latin pop concert packed with singing fans. That diversity is exactly why the venue has become a key part of Valencia’s live music ecosystem — a place where different communities of music lovers collide under one roof. March 2026 captures that spirit perfectly: loud, unpredictable and impossible to pigeonhole . Whether you come for the guitars, the dancing or the late-night reggaeton, one thing is certain — the stage at Peter Rock Club won’t be quiet for long. For tickets and more information: Peter Rock

March is shaping up to be a serious month for live music at Rock City — one of the Valencia area’s most respected live venues, located just minutes from the city centre and renowned for hosting both international touring acts and standout Spanish artists. Over the years, more than 900 musicians have passed through its stage, cementing its reputation as a cornerstone of the region’s rock circuit. This March, the club delivers a characteristically diverse programme that swings between indie rock, Latin psychedelia, classic punk energy and melodic hard rock — a line-up designed for fans who want their live music loud, unpredictable and right up close to the stage. The month kicks off on March 7 with a double bill from rising Spanish acts Atzur and Farmar. Expect shimmering guitars, modern indie textures and the kind of emotional intensity that thrives in a packed club environment. It’s the sort of night where new favourites are discovered and the Valencia indie scene reminds everyone why it’s thriving. The following evening, March 8, Argentinian new-wave legends Virus arrive celebrating decades of influential rock in Spanish. The band’s catalogue — packed with danceable rock classics and synth-driven anthems — has shaped Latin rock history and continues to inspire generations of fans. Their appearance marks a rare chance for Valencia audiences to witness one of the genre’s most iconic names live. On March 12, the hypnotic sound of Los Espíritus takes over the stage. Known for blending blues, Latin rhythms and smoky psychedelic rock, the Buenos Aires outfit bring a sound that feels like it belongs in a desert bar somewhere between Argentina and Texas. Their concerts are immersive and groove-heavy, pulling audiences into swirling guitar jams and hypnotic rhythms. March 13 sees Rock City dive headfirst into classic hard-rock territory when Swedish melodic rock giants H.E.A.T hit the stage with Spanish metal warriors Hitten. With their explosive blend of 80s-inspired arena rock and modern production, H.E.A.T have become one of Europe’s most exciting hard-rock exports. Their shows are pure adrenaline — towering choruses, blazing guitar solos and the kind of sing-along hooks that turn a venue into a full-throated rock choir. The following night, March 14, Russian alternative rock outfit Nogu Svelo! bring their eccentric and energetic sound to the venue, delivering a show that mixes theatrical flair with biting satire and powerful rock arrangements. On March 20, Argentine punk legends 2 Minutos arrive with decades of street-punk history behind them. Their fast, furious anthems and no-nonsense stage presence promise one of the month’s most explosive nights. The next evening, March 21, the spotlight shifts to Spanish rock outfit Linaje, continuing the venue’s tradition of supporting emerging national acts alongside international tours. Finally, the month closes on March 27 with Fitipaldis Band — a high-energy tribute celebrating the music of Fito & Fitipaldis. Expect a crowd-pleasing night of familiar Spanish rock classics delivered with the passion and swagger fans love. With its intimate atmosphere, strong sound system and loyal crowd of music fans, Rock City continues to be one of the region’s essential live music destinations. The venue sits just outside the city centre in Almàssera, yet it feels like the beating heart of Valencia’s rock scene. March 2026 perfectly captures what Rock City does best: a packed calendar where indie, punk, metal and psychedelic rock collide night after night. For tickets and more information: Rock City

Murcia’s finest emotional alchemists are back — and they’ve never sounded sharper, braver or more devastatingly honest. With Voladera , Clara Plath deliver the most cohesive and emotionally lucid record of their career: a widescreen alternative-pop statement about love, rupture, memory and the quiet, necessary violence of letting go. This isn’t just another album. It’s a reckoning. After more than ten years of steady artistic growth — from early releases like Ten Tristes Tracks through defining works such as Hi Lola!! , Grand Battement , Yes, I’m Special and Oscura — Voladera feels like the moment everything locks into place. The band have always balanced intimacy with atmosphere, but here they refine that tension into something both cinematic and deeply personal. It’s a record of contrasts: tender but unflinching, luminous yet shadowed, restrained yet capable of sudden emotional surges. Every track feels intentional. Every silence feels earned. The previously released singles — “Días de Playa,” “La mitad rota de dos,” “Tetita” and “El Engaño” — slot seamlessly into the album’s arc, no longer standalone statements but chapters in a larger emotional narrative. But it’s the new material that gives Voladera its spine. The title track opens the door with atmosphere and intent. “Salida de escena” simmers with resignation and quiet dignity. “Ulay y Marina” draws from art and rupture, evoking love as performance and endurance. “Despertar” feels exactly like its name — a slow, dawning self-awareness. And “Mensaje final de los Corintios” closes the record with the weight of something biblical, intimate and final. Throughout, the production (largely handled at Mia Estudios by Antonio Illán, with additional recording at Estudios Second Floor and mastering by Antonio Navarro at Eriatarka) is rich without suffocating the songs. Guitars shimmer and grind in equal measure. The rhythm section pulses with restraint. Space is used as an instrument. Frontwoman Clara Plath’s voice — fragile, resolute, cutting when necessary — remains the emotional compass. It doesn’t oversell. It doesn’t dramatise. It tells the truth. If Voladera has a beating heart, it’s “Una nueva idea.” This is the sound of love turning into clarity. Not rage. Not melodrama. Clarity. “Tú crees que no, pero me das mil vueltas.Y sin pensar, nace una nueva idea.” The song begins delicately, almost trembling. Then comes the pivot — that devastating line: “Con tu amor me hiciste un agujero,y siento decirte que ya no te quiero.” It lands not as an explosion but as a revelation. A quiet, irreversible decision. The end of illusion. Musically, the track mirrors that journey, moving from melodic tenderness to emotional inevitability. It’s one of the most honest breakup songs you’ll hear this year — stripped of theatrics, full of self-awareness. What makes Voladera special is its emotional intelligence. This is a band unafraid to examine their own fractures. The album doesn’t wallow in heartbreak — it processes it. It acknowledges memory, embraces tenderness, confronts deception and ultimately leans toward reconstruction. There’s epic sweep here, yes — but it’s internal epic. The drama happens inside the chest, not in stadium-sized gestures. Clara Plath have always been a vital presence in Spain’s alternative pop landscape. With Voladera , they sound fully realised. Focused. Fearless. Clear-eyed. This is not just another chapter in their discography. It’s the turning point. For more information: Clara Plath and you can listen here: Spotify

March is coming in loud, fast and gloriously eclectic at the legendary Loco Club in Valencia — and if your musical tastes swing from introspective British folk to Japanese funk-fuelled chaos via bubblegum punk and leftfield alt-pop, this is your month. Wednesday, February 25 – Charlie Cunningham + Amaia Miranda The week kicks off in beautifully hushed style with British singer-songwriter Charlie Cunningham. Known for introspective lyrics, a fragile, almost whispered vocal delivery, and a distinctive guitar technique shaped by his time studying flamenco in Seville, Cunningham occupies that late-night emotional space somewhere between candlelight confession and widescreen melancholy. Often compared to José González and Nick Drake, Cunningham has nonetheless carved out a sound entirely his own — minimalist, atmospheric, and deeply human. With Amaia Miranda opening, expect a seated crowd, held breath, and songs that linger long after the house lights come up. Thursday, February 26 – Bosco Herrero At just seventeen, French-Basque artist Bosco Herrero has already positioned himself as one of Spain’s most intriguing alternative voices. His melancholic ballads carry a refreshing originality, drawing subtle comparisons to Frank Ocean in their emotional depth and understated modernity. Herrero’s music feels intimate yet cinematic — bedroom confessionals wrapped in cool, contemporary production. Catch him now, because this kind of early promise doesn’t stay secret for long. Friday, February 27 – Traca: Paco Pecado + Boletus Friday turns up the colour saturation. Paco Pecado revels in the kitsch, the retro, the gloriously outdated. His show “Entre bodegas y ferias” promises tongue-in-cheek theatricality and a celebration of the gaudy and the grand. Alongside Boletus, this is set to be a night where irony and instinct collide on the dancefloor. Saturday, February 28 – Springroll Fest: F.A.N.T.A + Sugus + Los Brackets + Cretin DJ’s More than fifteen years after its original run, Springroll Fest storms back into Valencia — and it’s already sold out. That tells you everything. Born from members of Newake and Los Brackets, the festival once brought underground heroes like NoWayOut and Avenues & Silhouettes to town. In 2026, it returns leaner, louder and ready to reclaim its t urf. Barcelo na punk legends F.A.N.T.A, long-running power-pop-punk outfit Sugus, and hometown heroes Los Brackets lead the charge. After the amps cool, Cretin DJ’s keep the powerpunkpoprock party raging into the night. Expect sweat on the walls, shouted choruses, and zero regrets in the morning. Sunday, March 1 – Zoobombs Then comes the wild card. Since 1994, Tokyo’s Zoobombs have been one of rock’s most unpredictable and electrifying forces. Their sound — a feral blend of funk, garage rock and free-form improvisation — feels permanently on the edge of glorious collapse. Frontman Don Matsuo commands the stage with a gravelled growl and riffs that hit like controlled detonations. Over the years, Zoobombs have shared stages with heavyweights like Jon Spencer Blues Explosion and The Black Keys — and they bring that same unhinged intensity wherever they go. If you like your rock dangerous, loose and slightly unhinged, Sunday night is non-negotiable. On the horizon, the Jeffrey Foucault Electric Trio arrives, featuring Foucault alongside Ry Cavanaugh (Session Americana) and John Convertino of Calexico. With over two decades on the road, Foucault has built a reputation for country-noir songwriting so sharp it’s earned praise from The Washington Post and the Irish Times, and admiration from figures like Van Dyke Parks and Don Henley. Expect grit, grace and masterclass-level storytelling. Loco Club is a microcosm of what makes the venue essential: genre-hopping bravery, underground loyalty, and nights that feel like they belong to the people in the room.Folk purists. Punk lifers. Alt-pop romantics. Japanese rock obsessives. Pick your poison — or better yet, don’t. For tickets and more information: Loco Club