There are just 30 days to go until one of the most anticipated nights of the summer as pop icon Rick Astley arrives at FAR València on 16 July, bringing a catalogue packed with timeless hits, irresistible nostalgia and a live show that continues to win over audiences across generations. Taking place at Marina Norte as part of the month-long FAR València concert series, Astley's appearance promises to be one of the standout events of the festival's 2026 programme. The British star joins an impressive line-up that includes artists such as Jean-Michel Jarre, OMD, ZZ Top, Belle and Sebastian, M-Clan and many more throughout July. Nearly four decades after "Never Gonna Give You Up" became a global phenomenon, Astley is enjoying a remarkable second golden age. Since his chart-topping comeback with the album 50, he has continued to attract new fans while delighting long-time followers with his powerful voice, charismatic stage presence and genuine love for performing live. Collaborations with acts including Foo Fighters and memorable appearances at festivals such as Glastonbury have cemented his reputation as far more than an '80s nostalgia act. Expect a set packed with classics including "Together Forever", "Whenever You Need Somebody" and, of course, the song that launched a thousand internet memes. But anyone expecting a simple trip down memory lane should think again. Astley's recent performances have showcased an artist still evolving, still connecting and still capable of commanding huge festival crowds. FAR València itself has quickly established itself as one of the city's premier summer music events, transforming Marina Norte into a spectacular waterfront concert destination throughout July. With Mediterranean sunsets, sea breezes and an eclectic programme of international stars, it provides the perfect setting for Astley's return to Valencia. With tickets already attracting strong interest and the countdown now officially underway, fans have just one month left to prepare for a night of singalongs, feel-good pop and one of Britain's most enduring performers. Thirty days. One legendary voice. One unforgettable summer night! For tickets and more information: FAR

For more than three decades, Lambchop have built a reputation on reinvention. Whether exploring orchestral country, soulful Americana, experimental electronics or intimate piano balladry, the Nashville collective led by Kurt Wagner has never stood still for long. With new single "Stella", the latest preview of forthcoming album Punching The Clown, they once again prove that evolution doesn't have to be loud to be profound. If previous single "Weakened" felt like a weary embrace for troubled times, "Stella" arrives with a quieter confidence. Built around delicately intertwined guitar and banjo, the track unfolds with remarkable patience, allowing every note and every vocal harmony room to breathe. There's no rush, no grand gesture and no unnecessary embellishment. Instead, Lambchop trust entirely in atmosphere, melody and emotional weight. The result is utterly captivating. At first listen, "Stella" feels deceptively simple. A gentle banjo line drifts beneath Wagner's unmistakable voice while choral arrangements hover gracefully in the background. Yet beneath that minimal surface lies extraordinary depth. Every harmony seems carefully placed, every pause deliberate. The song possesses a warmth and humanity that feels increasingly rare in an age of overproduction. Wagner has described the song as dreamlike, recalling a vivid dream in which he found himself alone in a forest singing to unseen listeners hidden among the trees. That surreal quality lingers throughout "Stella". The song feels suspended between memory and imagination, carrying listeners somewhere familiar yet impossible to fully define. Much of the track's power comes from restraint. Rather than building toward a dramatic climax, "Stella" remains elegantly contained throughout its running time. The choir acts not as decoration but as a vital emotional counterpoint, surrounding Wagner's vocals with a sense of communal reflection. It's a sound that hints at the gospel and folk influences that appear to shape much of Punching The Clown. The presence of Justin Vernon's banjo is equally significant. An instrument Wagner has admitted he historically viewed with some scepticism becomes one of the song's emotional anchors, adding texture and subtle movement without ever overwhelming the composition. Most importantly, "Stella" succeeds because it feels completely authentic. There is no attempt to chase trends or modern expectations. Instead, Lambchop have created something timeless: a song built on melody, feeling and trust in the listener's ability to sit quietly with music. If "Weakened" introduced the emotional landscape of Punching The Clown, then "Stella" expands it beautifully. It's a song of understated grace, rich in atmosphere and emotional resonance, and further evidence that Kurt Wagner remains one of contemporary music's most thoughtful and distinctive songwriters. With Punching The Clown arriving on 21 August, "Stella" suggests that Lambchop may be preparing one of the most intimate and rewarding chapters of their remarkable career. For more information and news on the upcoming tour: Lambchop

After months of carefully unveiling a line-up packed with artists who have soundtracked generations, VISOR FEST has finally revealed its day-by-day schedule and the DJs who will keep the energy flowing between sets, completing what is shaping up to be one of the festival's strongest editions to date. Returning to Valencia on 25 and 26 September, VISOR FEST once again proves why it occupies a unique place on Spain's festival calendar. This is not a festival built on hype or trends. It's a celebration of timeless music, legendary live performances and the kind of songs that refuse to fade with age. And now fans can start planning their perfect weekend. The opening day on Friday 25 September is stacked with heavyweight names. Britpop favourites Ocean Colour Scene arrive to celebrate the 30th anniversary of their landmark album Moseley Shoals, while punk pioneers The Damned mark an astonishing 50 years of musical rebellion. Joining them are post-punk warriors New Model Army and Australian rock icons Hoodoo Gurus, creating a bill packed with attitude, history and unforgettable songs. Keeping the atmosphere alive between performances will be two outstanding selectors. Barcelona underground institution Eneida Fever! brings her eclectic blend of garage, soul, psych and vintage pop, while Valencian scene veteran Luis Bonias delivers decades of dancefloor expertise and impeccable musical taste. Saturday 26 September belongs to alternative rock and indie devotees. Headlining the day are Welsh legends Manic Street Preachers, alongside shoegaze pioneers RIDE, while cult Britpop heroes Gene make what will be their only Spanish appearance of the year. Completing the bill are Swedish indie favourites The Wannadies, whose catalogue remains packed with anthems that continue to resonate with audiences decades later. On DJ duties, Alesa DJ will bring her stylish blend of synth-pop, EBM and alternative electronic sounds, while Mario Oldies dives deep into post-punk, Madchester, garage and psychedelic soul, perfectly reflecting the festival's broad musical DNA. As always, VISOR FEST is about more than simply ticking off bands from a schedule. The event has built its reputation on giving artists room to breathe, allowing audiences to fully immerse themselves in performances without the frantic stage-hopping that dominates so many modern festivals. It's a philosophy that has earned VISOR FEST a fiercely loyal following: fewer distractions, more music, and a shared appreciation for artists whose influence continues to be felt today. With day tickets now on sale for just €55, the final pieces of the puzzle have fallen into place. Two days, eight exceptional bands, four carefully chosen DJs and countless songs that have stood the test of time. This September, Valencia once again becomes the meeting point for music lovers who believe great songs deserve to be heard properly. For tickets and more information: Visorfest

The countdown is officially underway. In just one month, one of Spain's fastest-rising indie bands, Ultraligera, will headline a spectacular evening of alternative music at Conciertos de Viveros in Valencia. Taking place on Saturday 11 July, the concert promises far more than a headline performance. Joining Ultraligera on stage will be acclaimed Argentine indie star Conociendo Rusia and Valencia's own Sr. Aliaga, creating one of the most exciting triple bills of this year's festival. Doors open at 7:00pm, giving fans the chance to enjoy an evening packed with outstanding live music from start to finish. Ultraligera have rapidly established themselves as one of the brightest new names in Spain's alternative music scene. Their infectious melodies, emotionally charged lyrics and energetic live performances have earned them a growing reputation as a band on the verge of something special. With a fresh, guitar-driven sound that blends indie rock and modern pop influences, they've become a favourite among a new generation of music fans. Adding even more appeal to the evening is Conociendo Rusia, the acclaimed project led by Argentine singer-songwriter Mateo Sujatovich. Renowned for his elegant songwriting and timeless blend of indie rock and Latin pop, his appearance brings an international flavour to an already impressive line-up. Local favourites Sr. Aliaga complete the bill, making this a showcase of some of the most exciting talent from across the Spanish-speaking music world. Set in the beautiful surroundings of the Jardines de Viveros, the concert is part of another outstanding edition of Conciertos de Viveros, one of Spain's premier summer music festivals. The 2026 programme once again combines international stars with the most exciting emerging artists, making it a must-visit event for live music lovers. For tickets and more information: Conciertos De Viveros

Valencia's summer concert season is already shaping up to be one of the strongest in recent memory, but on 8 July, the temperature inside the Jardins de Vivers is set to rise even further when alternative rock icons Garbage arrive at Conciertos de Viveros 2026. Led by the unmistakable presence of Shirley Manson, the legendary band will bring their genre-defying mix of rock, electronics and attitude to one of the city's most atmospheric outdoor venues. For anyone who came of age during the 1990s, Garbage need little introduction. From the moment they exploded onto the scene with classics such as Only Happy When It Rains, Stupid Girl, Push It and I Think I'm Paranoid, the band carved out a unique space between alternative rock, industrial textures and pop sensibility. More than thirty years later, their music still sounds as fresh, relevant and powerful as ever. At the heart of Garbage remains Shirley Manson, one of rock's most charismatic and influential frontwomen. Fierce, intelligent and endlessly compelling on stage, Manson has always been the perfect focal point for a band that thrives on intensity and emotion. Alongside producer and drummer Butch Vig, Steve Marker and Duke Erikson, Garbage have maintained the same core line-up throughout their career, a rarity in modern music and one of the reasons their live performances continue to feel so cohesive and powerful. The band's appearance at Conciertos de Viveros comes as they continue to prove that they are far more than a nostalgia act. Recent tours have been met with glowing reactions from fans, many praising the band's energy, musicianship and Manson's commanding stage presence. Across Europe and beyond, audiences continue to celebrate Garbage as one of alternative rock's great live bands. The setting could hardly be more perfect. Few venues in Spain can match the unique atmosphere of the Jardins de Vivers, where towering trees, warm summer evenings and world-class live music combine to create unforgettable nights. Garbage's cinematic soundscapes and explosive rock anthems feel tailor-made for the open-air surroundings, promising a concert that will be equal parts celebration, catharsis and singalong. Fans can expect a set packed with career-defining hits alongside material from the band's more recent work. Whether you're a lifelong devotee who has followed Garbage since their debut album or a younger fan discovering their music for the first time, this promises to be one of the standout nights of the entire Viveros programme. Conciertos de Viveros has built a reputation for bringing major international artists to Valencia, but few bands arrive with a catalogue as beloved or a frontwoman as iconic as Shirley Manson. On 8 July, the Scottish singer and her band will transform the Jardins de Vivers into a haven for alternative rock fans, delivering the kind of powerful, emotional and unforgettable performance that has defined Garbage for more than three decades. If there is one show on this summer's calendar that promises attitude, anthems and a healthy dose of rock-and-roll swagger, this is it. For tickets and more information: Conciertos De Viveros

On Wednesday night, Valencia's beloved 16 Toneladas welcomed one of Latin America's most distinctive and influential instrumental bands as Mexico City's Austin TV brought their European tour to the city for a spellbinding performance that proved words are entirely unnecessary when the music speaks this loudly. Known for their trademark masks and their enduring motto, "Tu Cara No Importa, Importas Tú" ("Your Face Doesn't Matter, You Do"), Austin TV have spent more than two decades crafting emotional, cinematic soundscapes that sit somewhere between post-rock, art rock and pure sonic storytelling. Their return to Europe follows a remarkable resurgence since reforming in 2022, with the band continuing to introduce new audiences to their unique universe of instrumental music. From the moment the masked musicians stepped onto the stage, there was a palpable sense of anticipation inside 16 Toneladas. The venue's intimate setting proved the perfect environment for Austin TV's expansive sound. Every guitar line, shimmering melody and explosive crescendo seemed to fill every corner of the room, transforming the club into something much larger than its physical dimensions. What makes Austin TV so captivating live is their ability to create emotional narratives without uttering a single lyric. Their music moves through moments of beauty, tension, melancholy and triumph, allowing every listener to find their own meaning within the songs. One moment the audience stood transfixed by delicate, atmospheric passages; the next they were swept up in walls of soaring guitars and thunderous rhythms that felt almost orchestral in scale. The Valencia crowd embraced every second. Fans packed tightly in front of the stage, many clearly longtime followers of the band, while others appeared to be discovering Austin TV for the first time. It hardly mattered. By the middle of the set, everyone seemed completely immersed in the experience. Heads nodded in unison, eyes remained fixed on the stage and spontaneous cheers erupted after every dramatic climax. The band's visual identity remains as striking as ever. Their masks and anonymous personas only enhance the feeling that the music itself is the true star of the show. Rather than focusing attention on individual performers, Austin TV create a collective experience where audience and musicians become part of the same journey. Credit must also go to 16 Toneladas, which once again demonstrated why it remains one of Valencia's most important live music venues. The club's excellent sound, intimate atmosphere and passionate audience created ideal conditions for a performance built on nuance and dynamics. Every quiet moment landed with precision, while every explosive peak carried maximum impact. As the final notes echoed around the room and the band received a lengthy ovation from the Valencia audience, there was a clear sense that something special had taken place. In an era often dominated by spectacle and distraction, Austin TV reminded everyone that powerful music, performed with sincerity and imagination, remains one of the most moving experiences live music can offer. Words and photos: Rhyan Paul

There are concerts, there are festivals, and then there are nights that feel like a controlled riot. On Friday evening, Noise In The Park, presented by Gazpatxo Fest Cultura, brought one of the most uncompromising line-ups ever assembled at Nits de Vivers to the Jardins de Vivers, transforming Valencia's elegant summer concert venue into a sea of black T-shirts, flying hair, circle pits and raised fists. From the first notes of the opening act until the final burst of flames accompanying Soziedad Alkoholika's closing assault, this was a celebration of heavy music in all its forms. The setting itself created a fascinating contrast. Normally associated with summer nights of pop, indie and family-friendly concerts, the tree-lined surroundings of Nits de Vivers became the unlikely home for a gathering of metalheads, punks, thrash fans and hardcore devotees from across Valencia and beyond. By the time the gates filled, it was clear that Noise In The Park wasn't just another concert. This was an event to be remembered. The evening began with Vaire, who wasted little time in setting the tone. Their blend of heavy riffs and modern metal energy provided the perfect introduction to what would become an increasingly intense night. As fans steadily filled the venue, Vaire delivered a confident set that immediately established a sense of momentum. While many opening acts struggle to command attention from crowds still arriving and finding their feet, Vaire grabbed the audience early and created the first waves of movement in front of the stage. If Vaire lit the fuse, Deaf Devils detonated the first explosion. The Valencia-based rock'n'roll wrecking crew delivered one of the most memorable performances of the evening, combining ferocious riffs, punk attitude and a healthy disregard for convention. Their set was already gathering serious momentum when they decided to take things to another level. For their final song, the band abandoned the stage altogether. In a moment that instantly became one of the defining images of the festival, Deaf Devils carried their performance directly into the audience. Guitar, bass and even the drum kit were moved into the crowd as the band performed surrounded by fans rather than separated from them. Suddenly the barrier between artist and audience disappeared completely. What followed was glorious chaos. Fans packed tightly around the musicians as the final song erupted in the middle of the crowd. People sang along from only inches away, phones appeared from every angle and the pit expanded around the performers as if the entire venue had become one giant stage. It was raw, unpredictable and brilliantly theatrical — exactly the kind of stunt that transforms a good festival appearance into a legendary one. Long after the final note rang out, Deaf Devils had given everyone at Nits de Vivers one of those "you had to be there" moments that will be talked about for years to come. By the time Bala took the stage, the crowd was fully warmed up and ready for more punishment. The Galician duo proved once again why they have become one of Spain's most respected heavy acts. Armed with thunderous riffs, crushing bass lines and enough raw power to sound like a band three times their size, Bala delivered a set that felt relentless from beginning to end. There was no unnecessary stagecraft, no gimmicks and no distractions. Just riffs, noise and attitude. The audience responded accordingly. Circle pits expanded, heads banged harder and the atmosphere inside Vivers continued to build toward boiling point. Then came the thrash metal masters. Angelus Apatrida arrived with the confidence of a band that has spent years earning its reputation as one of Europe's premier thrash exports. Their precision was astonishing. Every riff landed with surgical accuracy. Every tempo change hit like a punch to the chest. If Bala had delivered brute force, Angelus Apatrida supplied technical brilliance alongside overwhelming aggression. The crowd knew every word, every breakdown and every guitar run. The pit grew larger, louder and faster. From the front barrier to the sound desk, Vivers had become one giant mass of movement. By now, the anticipation for the headliners had become almost tangible. Then the lights dropped. A roar erupted from thousands of throats. And Soziedad Alkoholika arrived. For more than three decades, Soziedad Alkoholika have remained one of Spain's most uncompromising and influential heavy bands, blending hardcore, thrash metal, crossover and punk into a sound that remains uniquely their own. Their songs hit with the force of a sledgehammer, but it is their live performance that has made them legendary. From the opening moments, the band unleashed a relentless barrage of riffs and rhythms that immediately sent the crowd into overdrive. Then came the flames. Towering bursts of fire exploded skyward throughout the set, illuminating both the stage and the faces of the fans packed tightly beneath it. Against the backdrop of the Valencian night, the pyrotechnics transformed the performance into something almost apocalyptic. Every eruption of flame was met with cheers. Every classic track sparked another eruption in the pit. Every breakdown triggered another wave of bodies crashing together in collective release. The combination of fire, smoke, lights and Soziedad Alkoholika's crushing sound created a spectacle worthy of a major festival headline slot. Credit must also go to Gazpatxo Fest Cultura for assembling such a carefully curated line-up. Rather than relying on a single headliner, the promoters created a full day's journey through different corners of the heavy music spectrum. From Vaire's opening charge, through Deaf Devils' crowd invasion, Bala's raw power, Angelus Apatrida's thrash masterclass and finally Soziedad Alkoholika's fire-breathing finale, every band added a distinct chapter to the story. The result was more than a concert. It was a statement. A statement that Valencia's heavy music community is alive, thriving and capable of filling one of the city's most prestigious summer venues with passion, energy and deafening noise. As the final flames disappeared into the night sky and exhausted fans slowly made their way out of Jardins de Vivers, there was a shared sense that everyone had witnessed something special. And Valencia loved every second of it. Words and photos: Rhyan Paul

Prepare for an evening of soaring anthems, thunderous riffs and unforgettable live energy as Spanish heavy metal giants WarCry head to Conciertos de Viveros on Friday 24 July for one of the festival's heaviest nights of the summer. Taking over the iconic Jardines de Viveros in Valencia, WarCry will be joined by special guests Ópera Magna, creating a double bill that promises to delight metal fans from across Spain. Doors open at 8:00pm, with an explosive night of live music set to follow. For more than two decades, WarCry have stood at the forefront of Spanish-language heavy metal. Formed in Asturias in 2002, the band has built a fiercely loyal following thanks to its powerful blend of melodic metal, soaring vocals and lyrics inspired by themes of courage, freedom and perseverance. Their concerts have become renowned for their intensity, with audiences singing every word back to the band from the opening note to the final encore. Fans attending the Valencia show can expect a setlist spanning the band's celebrated career, combining fan favourites with material from their latest musical chapter. Backed by soaring guitar solos, driving rhythms and anthemic choruses, WarCry continue to prove why they remain one of the defining names in Spanish heavy metal. Adding even more firepower to the evening are Ópera Magna, the Valencia symphonic power metal favourites whose cinematic sound and technical musicianship make them the perfect opening act. Together, the two bands promise an unforgettable showcase of the very best of Spanish metal. The concert forms part of another outstanding edition of Conciertos de Viveros 2026, which once again brings an eclectic mix of international icons and homegrown talent to Valencia's beautiful open-air gardens. While the festival features everything from pop and reggae to indie and classic rock, WarCry's performance is set to be the ultimate destination for lovers of heavy music. For tickets and more information: Conciertos De Viveros

Cloudy June has always occupied that sweet spot where alternative pop, indie rock and emotional honesty collide, but on jAGUAR she strips everything back and delivers one of her most immediate and authentic releases to date. Fresh from signing with Nettwerk Music Group, the Berlin-based artist leans into a rawer, more organic sound than we've heard from her in recent years. Built around acoustic guitar, punchy drums and a vocal performance that feels both intimate and defiant, jAGUAR trades glossy perfection for character and personality. The song is driven by a nostalgic but self-aware look back at teenage obsession. We've all been there — staring at posters on bedroom walls, imagining that the rock star holding the guitar somehow possesses the answers to life's problems. Cloudy June takes that universal experience and turns it into a sharp, witty and surprisingly moving anthem. The title itself cleverly references both the iconic Fender Jaguar guitar and the classic British sports car, creating a song that feels simultaneously vintage and contemporary. Musically, jAGUAR has a rough-edged charm that works entirely in its favour. The acoustic guitar forms the backbone of the track, while the drums hit with enough force to push the song forward without overwhelming its emotional core. There's an intentional looseness to the production that gives the single a sense of authenticity. Rather than sounding polished to within an inch of its life, it sounds lived in. Cloudy's voice remains the star of the show. She delivers the lyrics with the kind of conversational confidence that makes listeners feel as if they're being let in on a secret. The performance balances vulnerability and attitude perfectly, capturing the awkward intensity of youthful hero worship while simultaneously poking fun at it. What's particularly impressive is how natural the song feels. There are no obvious attempts to chase trends or viral moments. Instead, jAGUAR sounds like an artist trusting her instincts and following her own creative path. That's especially significant given that the track arrives after a period of personal and artistic reinvention following the release of you ruined me but it was fun. For fans who discovered Cloudy June through the electro-pop energy of FU In My Head, jAGUAR offers something slightly different. The hooks are still there, but they're wrapped in a more mature, guitar-led package that hints at exciting possibilities for the future. Ultimately, jAGUAR feels like the sound of an artist reconnecting with the reasons she fell in love with music in the first place. It's honest, catchy, nostalgic and effortlessly cool. A raw and refreshingly self-assured slice of alternative pop-rock that finds Cloudy June looking backwards in order to move forwards. Follow Cloudy June on her Instagram

The Music Mole Magazine is proud to launch a brand-new series of music photography exhibitions - "Curated By The music Mole" - celebrating the photographers who capture the soul, sweat and spirit of live music. The first exhibition in the series, "Back Room Blues", opens this June and runs until the end of July at El Café in Carcaixent, featuring twenty carefully selected black-and-white blues photographs by Valencia-based American photographer Philamonjaro. More than simply a collection of images, Back Room Blues is a love letter to the intimate venues, passionate musicians and unforgettable moments that define the blues. Drawn from Philamonjaro's acclaimed body of work, the exhibition captures artists in their natural habitat — small stages, smoky back rooms, late-night jams and those fleeting moments when performer and audience become one. The exhibition's title is no accident. Located in the back room of El Café, the photographs feel perfectly at home within a venue that has become one of the most important grassroots music spaces in the Ribera region. Over recent years, El Café has established itself as a cultural hub for Carcaixent, regularly hosting local and touring musicians in an intimate environment where audiences can experience live music up close and personal. At the heart of this musical success story is owner Enric Casassús. A musician himself, Enric has spent years nurturing a vibrant musical community around El Café, creating a welcoming space where artists and audiences can connect beyond the traditional concert experience. Whether it's jazz, blues, flamenco, folk or rock, the venue has become synonymous with quality live music and community spirit. Philamonjaro's photographs perfectly reflect that ethos. His images are raw, honest and beautifully observed. Rather than documenting performances from a distance, he immerses himself in the action, capturing the emotion, concentration and passion that often go unnoticed by casual observers. The result is a body of work that feels deeply human, revealing the stories hidden behind every note played and every song sung. Visitors can expect powerful portraits, dramatic stage moments and intimate glimpses into the world of blues musicians, all presented in striking monochrome. The black-and-white format strips away distractions, allowing viewers to focus entirely on expression, atmosphere and emotion. The exhibition also shares the space with another photographic celebration of Valencia's music scene: "Valencia Rocks"by photographer and Music Mole Magazine editor Rhyan Paul. Featuring a vibrant collection of live music photography from across the Valencian Community, Valencia Rocks showcases the incredible diversity of the region's music culture, from intimate club performances and local festivals to major international concerts. Together, the two exhibitions create a fascinating dialogue between global blues culture and Valencia's thriving contemporary music scene. For music lovers, photographers and anyone interested in the cultural life of the region, Back Room Blues offers something increasingly rare: a chance to slow down, look closely and appreciate the artistry that exists both on stage and behind the lens. This is more than an exhibition. It is the beginning of a new chapter for The Music Mole Magazine's commitment to supporting live music, local culture and the talented photographers who document it. You can see the artists website here: Philamonjaro

Valencia's alternative music scene is about to get a rare treat as Mexican post-rock pioneers Austin TV arrive at 16 Toneladas on Wednesday 10 June for what promises to be one of the most unique and emotionally charged concerts of the summer. For those unfamiliar with the band, Austin TV are far more than just another instrumental rock outfit. Since emerging from Mexico City in 2001, they have become one of the most influential independent bands in Ibero-America, inspiring an entire generation through their fiercely independent DIY spirit, cinematic soundscapes and distinctive masked appearances. Their motto, "Tu cara no importa, importas tú" ("Your face doesn't matter, you matter"), remains at the heart of everything they do. The masks aren't a gimmick; they're a statement, shifting the focus away from personalities and onto the music itself. Over the years Austin TV have built a devoted cult following through a unique blend of soaring post-rock, math rock precision and soundtrack-like atmospheres. Their music moves effortlessly from delicate, almost cinematic passages to huge emotional crescendos that can leave audiences simultaneously exhilarated and emotionally drained. Without singing a single word, the band somehow manages to tell stories that feel deeply personal and universally relatable. Their reputation has carried them from underground DIY spaces across the world to some of the biggest stages imaginable. Austin TV have performed at major festivals including Vive Latino in Mexico, Coachella in the United States and Rock al Parque in Colombia, earning a reputation as one of Latin America's most innovative and influential independent bands. After stepping away from the spotlight for nearly a decade in 2013, many fans feared they would never return. Then came the comeback. The band reunited in 2022, released new music and returned to the stage with a triumphant resurgence that reminded everyone exactly why they had become such an important force in alternative music in the first place. Their return performance at Vive Latino attracted more than 30,000 fans and reaffirmed their status as one of Mexico's most beloved cult bands. The venue could hardly be more fitting. 16 Toneladas has built its reputation as one of Valencia's most respected live music spaces, a room where audiences can experience artists up close in an intimate environment with excellent sound and visibility. With a capacity of around 300 people, the venue offers the kind of connection between artist and audience that larger halls simply cannot replicate. Expect soaring guitars, hypnotic melodies, explosive crescendos and a room full of fans losing themselves in music that doesn't need lyrics to communicate. Austin TV concerts have always been immersive experiences, and in the close confines of 16 Toneladas the band's emotional, cinematic sound should feel even more powerful. With doors opening at 20:30 and the band taking the stage at 21:00, this is one of those gigs that feels destined to become a word-of-mouth favourite among Valencia's music lovers. Whether you're a long-time fan or discovering Austin TV for the first time, expect an evening of mystery, atmosphere and post-rock beauty from one of Latin America's most distinctive musical exports. Some bands demand your attention with frontmen and egos. Austin TV do it with masks, melodies and moments you'll be thinking about long after the lights come up. For tickets and more information: 16 Toneladas

There are some gigs that feel less like concerts and more like gatherings of friends. Sunday's lunchtime session at El Café in Carcaixent was exactly that – a warm, vibrant celebration of music, community and local talent that perfectly captured why this beloved venue has become the cultural heartbeat of the town. As the afternoon sun poured into the square and locals began filling the venue, El Café once again proved why it occupies such a special place in Carcaixent's musical landscape. Under the guidance of Enric, who continues to champion live music and provide a platform for outstanding local artists, the venue has evolved into far more than a bar or café. It has become a genuine community hub where musicians, music lovers and curious newcomers come together to share unforgettable moments. The atmosphere was pure Sunday perfection. Friends gathered around tables, musicians mingled with audience members, conversations flowed between songs and the sense of community was impossible to miss. It felt like everybody knew somebody, and if they didn't, they did by the end of the afternoon. Musically, the performance was a masterclass in contemporary flamenco fusion. Traditional flamenco roots were blended with modern influences, creating a sound that felt both respectful of its heritage and refreshingly alive. At the heart of it all was the mesmerising María Belda, whose flamenco dancing brought passion, elegance and explosive energy to every performance. Her movements were captivating throughout, drawing spontaneous applause as she interpreted each song with remarkable intensity and grace. The vocal duties were handled by the outstanding Bárbara Gramage, whose beautiful voice floated effortlessly through the room. Whether delivering delicate passages or soaring through the more emotional moments, she possessed that rare ability to command attention without ever overpowering the music. There was warmth, soul and authenticity in every note she sang. Equally impressive was guitarist Lucas Ibáñez, whose playing provided the perfect foundation for the afternoon's musical journey. His intricate flamenco-inspired guitar work was both technically dazzling and emotionally rich, weaving together the various elements of the performance with confidence and style. At times subtle and restrained, at others bursting into life with fiery flourishes, his performance demonstrated exactly why flamenco guitar remains one of Spain's most expressive musical traditions. What made the afternoon particularly special was the connection between performers and audience. This wasn't a crowd watching from a distance. It was a room completely immersed in the music, responding to every rhythm, every vocal flourish and every dramatic movement from the stage. The applause felt genuine because it was genuine. And then, as if the afternoon hadn't already offered enough musical treats, proceedings drew to a close with Macaroni, providing the perfect ending to a Sunday gathering that felt as much about community as it did about performance. Events like this remind you that some of the best live music experiences aren't found in giant arenas or festival fields. They're found in intimate venues, surrounded by friends, neighbours and fellow music lovers, watching talented artists perform just a few feet away. Once again, El Café delivered exactly what it does best: great music, great people and the kind of atmosphere that keeps audiences coming back week after week. Long may Enric continue bringing these wonderful local artists together and making El Café the beating musical heart of Carcaixent.